Ableton Live v11.0.2 Suite WIN DAW Full Version Free Download
What’s new in Live 11
Explore the features in Live 11:
Create your perfect take
with comping
Add more feeling
to your music
Experiment with
new devices
Do more on stage
Be unpredictable
Work with new and
updated sounds
Create your perfect take
Take recording and comping
Live organizes multiple passes of an audio or MIDI performance into individual takes. Pick the best moments of each performance and combine them to create your perfect take. Or approach sound design in a new way by splicing together random samples from your library.
Linked-track editing
Link two or more tracks to edit their content simultaneously. This makes editing multi-tracked instruments or performances with multiple musicians easy and fast whilst keeping everything in time across tracks. This feature also works for MIDI tracks.
Add more feeling to your music
Use your MPE-capable controller
Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.
What is MPE?
MPE stands for MIDI Polyphonic Expression. This way of using MIDI allows MPE-capable devices to control multiple parameters of every note in real time for more expressive instrumental performances.
Experiment with new devices
Hybrid Reverb
Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.
Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.
Select a sound to hear it with various Spectral Resonator presets:
Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched and washed-out effects.
Select a sound to hear it with various Spectral Time presets:
PitchLoop89
Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage.
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Inspired by Nature
Six playful instruments and effects created in collaboration with Dillon Bastan that use natural and physical processes as their inspiration.
Vector FM – Manipulate different combinations of FM oscillators represented by moving particles – play with movement and voices to create evolving modulations and textures.
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Vector Grain – A granular looper that visualizes sound modulation by moving particles on the interface – play with attraction and magnetism or loop the particles through a flow field.
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Vector Delay – Each visualized particle in this multitap delay device represents a different delay line – create pitch shifting or reverse delay effects with movement controlled by physical forces.
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Emit – This visual granular synthesizer uses particles shooting across a spectrogram to show the grain of a sample being played, while vertical movements represent filtering and panning.
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Tree Tone – Grow different fractal patterns inspired by plants, then use them as resonators for internally generated noise or incoming audio.
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Bouncy Notes – Bounce balls up and down a piano roll to create pitch shifting delay effects or arpeggiation with this gravity-based MIDI sequencer.
Do more on stage
Play video: A producer and drummer duo show tempo following and Macro improvements in action
A producer and drummer duo show tempo following and Macro improvements in action
Tempo Following
Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. When you DJ, you can even turn Live into a tempo-synced FX box.
Macro Variations
Store the state of your Macros for later recall – perfect for creating instant variations to your sounds or builds and drops during performance.
Rack improvements
Configure your Racks to have between 1 and 16 Macros. Randomize the state of your Macros with the randomization button. Map this control to MIDI and perform drastic changes in real time to surprise your audience and yourself.
Be unpredictable
Note chance
Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.
Velocity chance
Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.
Do more with Follow Actions
Follow Actions can now be linked to the clip length, making it faster to create interesting sequences of clips. Scene Follow Actions let you create evolving arrangements. You can also set Follow Actions to jump to specific clips and enable and disable Follow Actions globally.
Work with new sounds
New instruments
Created in collaboration with Spitfire Audio, these three Instrument Packs bring the dynamic chamber ensemble textures to any production.
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Upright Piano
Upright Piano infuses your productions with the natural warmth of an upright piano. Close-recorded for an intimate feel, this classic sound is at home in many styles of music – whether it’s used at its purest in a folk song or transformed in an electronic track.
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Brass Quartet
Feature a rich blend of trumpet, flugelhorn, tenor horn and trombone in your music. The instrument highlights the natural breathiness, range of expression and broad tonality of this brass quartet’s instrumentation.
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String Quartet
From delicate pizzicato droplets to full, vibrant layers, get the authentic timbres and textures of a string quartet. This combination of two violins, viola and cello has a sound that is immediately intimate, and is also a great starting point for sonic exploration.
New Curated Collections
These Packs capture the musical threads that tie evolving styles and scenes together. Each is a curated selection of instruments, clips and samples that share a common sonic theme.
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Voice Box
Voice Box invites you to get inventive with vocals. This Pack features a comprehensive collection of contemporary vocal samples from multiple voices, a set of playable vocal instruments, and Effect Racks designed for vocal processing.
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Mood Reel
Set the scene with a collection of sounds for making music with a modern narrative feel. Evocative layered instruments combine organic and synthetic sounds with textural elements to add mood, space and movement to productions.
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Drone Lab
Drone Lab is a place of sustain. Weave complex, evolving threads through your productions with tonal and textural samples, generative noise, multisampled instruments, plus devices and Effect Racks designed for experimentation.
To see highlights of the release in more detail, visit the Live 11 page
Comping
Comping
Live organizes multiple passes of an audio or MIDI performance into individual takes. Combine the best of many takes or find creative new combinations.
Linked-track editing
Link two or more audio or MIDI tracks to edit or comp their content simultaneously.
MPE
MPE compatibility
Add bends, slides and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.
Expression View
Add and edit pitch, timbre and pressure variations of individual notes directly in a new tab in the Clip Detail View.
MPE-capable native devices
Wavetable, Sampler and Arpeggiator now support MPE. Use Push’s pad pressure to control parameters per note.
New devices
Hybrid Reverb
Combines convolution and algorithmic reverbs, making it possible to create any space, from accurate real-life environments to those that defy physical reality.
Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. Play it like an instrument with MIDI.
Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds audio.
Inspired by Nature
Six playful instruments and effects that use natural and physical processes as their inspiration. Created in collaboration with Dillon Bastan.
PitchLoop89
Based on an early digital effects processor, this device creates jittery glitch effects, delayed digital shimmers and outlandish vibrato to add character to sounds in the studio or onstage. Created in collaboration with Robert Henke.
Updated devices
Chorus-Ensemble
The updated version of Chorus now has a wider range of sound shaping capabilities – add vibrato, spread the left and right channels of the signal across the stereo field, and add thick 3-delay line chorus.
Redux
Redux adds a wider range of sounds from vintage digital gear including harsh distortion, digital and aliasing artifacts, as well as warm and saturated 8-bit textures.
Phaser-Flanger
Phaser and Flanger have been combined and now feature a new, lusher sound with increased frequency and modulation ranges, expressive improvements on existing modes, and a new Doubler mode for short modulatable delay.
Rack improvements
Macro Variations
Store the state of Macros for later recall – this is a fast way to create instant variations to sounds, or builds and drops during a performance.
Flexible Macro Configuration
Set your Racks up to have between 1 and 16 Macros.
Randomized Macro values
Randomize the state of your Macros or map the randomization button to MIDI.
Live tempo following
Tempo following
Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow.
Chance tools
Note chance
Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.
Velocity chance
Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.
Follow Actions
Live 11 adds Scene Follow Actions for evolving arrangements. Follow Actions can now jump to specific clips and enable and disable Follow Actions globally.
New Sounds
Voice Box
A comprehensive collection of contemporary vocal samples from multiple voices, a set of playable vocal instruments, and Effect Racks designed for vocal processing.
Mood Reel
Evocative layered instruments that combine organic and synthetic sounds with textural elements to add mood, space and movement to productions.
Drone Lab
Sustained tonal and textural samples, generative noise, multisampled instruments, plus devices and Effect Racks designed for experimentation.
Upright Piano
Upright Piano is close-recorded for an intimate feel – a classic sound that is at home in many styles of music. Created in collaboration with Spitfire Audio.
Brass Quartet
This instrument highlights the natural breathiness, range of expression and broad tonality of the brass quartet. Created in collaboration with Spitfire Audio.
String Quartet
This combination of two violins, viola and cello has a sound that is immediately intimate, and is also a great starting point for sonic exploration. Created in collaboration with Spitfire Audio.
Updated Sounds
Updated Core Library
Live’s Core Library is expanded with a focus on contemporary music production, including new drum kits, Instrument Racks, Audio Effect Racks, Grooves, loops and MIDI clips. Plus, improved browsing makes sounds easier to find.
Updates to AAS instrument interfaces
The user interfaces of all instruments made in collaboration with Applied Acoustic Systems have been updated.
Updated Packs
Drum Booth features a new MIDI drum library and mix-ready presets. Grand Piano and Electric Keyboards now come with MIDI licks, phrases and progressions. MIDI drum grooves and instrumental parts have been added to Chop and Swing, Skitter and Step, Drive and Glow.
More Additions
Refined clip editing
Edit loops of multiple clips simultaneously, focus on a single clip in context and easily transpose entire arrangements from one piano roll.
Improved Clip Detail View
New tabs for Note Parameters, Follow Actions, Envelopes and MPE provide a clearer overview of and access to parameters and properties of a Clip.
Improved CPU metering
An updated master display can now show current and average CPU usage, plus per-track CPU meters show which tracks in a set use the most processing power.
Keys and scales
Use scales directly in Live’s MIDI editor as a guide or reference – this is linked to Push, and can be changed per clip.
Changes to Push
Visualizations for new devices
See visualizations of key parameters in Hybrid Reverb, Spectral Resonator and Spectral Time on Push’s color display and control them directly from the hardware.
Key and Scale sync
The Key and Scale feature in Live 11 is linked to Push and can be changed per clip.
Polyphonic aftertouch support
Apply different levels of aftertouch to individual notes when using Wavetable, Sampler, Arpeggiator and supported VSTs for more nuanced and dynamic performances on Push.
See up to 16 Macros
In Live 11, access Macros 9-16 from a second page after the Rack page with Macros 1-8. The second page appears automatically once you map more than eight Macros.
New in Max for Live
New API additions
A redesigned, MPE-compatible note API gives Max for Live access to Live 11’s new note features: probability, velocity deviation, and release velocity. You can also now access slices of a sample loaded in Simpler, a clip or sample’s warp markers, and much more.
MIDI Channel Routings
It is now possible to route MIDI to and from Max for Live audio effects and instruments. Inputs and outputs are routable and show up in a track’s MIDI From and MIDI To choosers.
Improvements for Device creators
A new live.scope object adds an oscilloscope to the object library. Double-clicking an error in the Max Console jumps the cursor to the device causing the error. A new Max for Live category in the Inspector Window allows developers to more clearly indicate which systems their devices can be used on, and much more.
Performance improvements
A complete overhaul of Max for Live’s user interface integration means a smoother experience when working with Max for Live devices, including improvements to focus, positioning, scrolling behaviour, and performance.