AEScripts Gaussian Splatting v1.7.1 Full Version Free Download

AEScripts Gaussian Splatting v1.7.1 Plugin for After Effects Full Version Free Download

Gaussian splatting has become an increasingly interesting technique for bringing photorealistic 3D captures into creative workflows. However, moving Gaussian Splatting assets into a compositing application can be difficult when the software does not natively provide a convenient way to work with them. AEScripts Gaussian Splatting bridges that gap by allowing artists to import, manipulate, and render 3D Gaussian Splatting .ply files directly inside Adobe After Effects with GPU acceleration.

Instead of treating a Gaussian Splat as a flat image, the plugin provides controls for positioning, cropping, colouring, scaling, opacity, displacement, and depth. This makes Gaussian Splatting useful not only for viewing captured environments but also for creating stylised motion graphics, transitions, reveals, and cinematic compositing effects.

What Is Gaussian Splatting for After Effects?

AEScripts Gaussian Splatting is an After Effects plugin that imports 3D Gaussian Splatting .ply files and renders them in real time using the GPU. Gaussian Splatting itself is a rendering technique capable of representing photorealistic scenes from relatively small samples of captured images.

The plugin allows these assets to become part of an After Effects composition, providing a workflow that is particularly interesting for creators working with scans generated from applications such as Polycam, Luma AI, PostShot, NerfStudio, and Scaniverse.

Import 3D Gaussian Splatting Files

The core workflow starts with importing .ply Gaussian Splatting files into After Effects. This means artists can generate a scan using a separate capture or reconstruction application and then bring the resulting asset into their compositing project.

Once imported, the model can be aligned to the centre of the scene and oriented horizontally. This provides a useful starting point for integrating a captured object or environment into an existing composition.

Crop and Control Your Splat Environment

Gaussian Splatting provides several ways to control which parts of a model remain visible. Artists can crop a scene using spherical or box shapes, as well as a Y Plane.

These controls can be useful when only a specific portion of a scan is required. They also open up creative possibilities for revealing or progressively exposing sections of a Gaussian Splat as part of an animation.

Animate Splats with Scale and Opacity

The plugin includes tools for animating individual splats using ramp-based controls. Splat Scale can be animated with spherical or box maps, while Splat Opacity can be controlled using a ramp.

This makes it possible to create reveal effects where a captured environment gradually forms on screen. Rather than simply fading an entire model in, the underlying splats can become visible through spatially controlled animation, producing a more distinctive reconstruction effect.

Add Noise and Displacement

Gaussian Splatting also provides built-in controls for distorting the imported models. Noise can be applied to individual models to create deformation and reveal-style effects.

This feature is particularly useful when the goal is to move beyond straightforward photographic representation. A real-world scan can become an animated visual element, with its geometry-like appearance breaking apart, shifting, or transforming during a sequence.

Colorize and Grade Individual Models

The plugin includes Colorize Splats, which uses a ramp over a spherical map to change the appearance of the splats. Per-model colour grading provides additional control when several scanned assets are present.

These options can help match captured material to the visual language of a composition. A photorealistic scan can therefore be pushed toward a more stylised appearance without first converting it into a conventional 3D mesh.

Combine Multiple Gaussian Splats

One of the useful production features is the ability to combine up to 10 models in a single scene. This makes it possible to construct more elaborate compositions from several scans rather than being restricted to one imported asset.

For example, multiple captured objects or sections of an environment can be assembled and positioned together inside After Effects, creating a larger scene while keeping the assets within the Gaussian Splatting workflow.

Depth Pass and 3D Compositing

Gaussian Splatting can also render a Depth Pass, which provides additional possibilities for compositing the result with other elements.

Depth information can be particularly useful when combining the splat render with effects that depend on spatial separation. This helps Gaussian Splatting fit more naturally into an After Effects compositing workflow rather than functioning only as a self-contained render.

New 3D Null Generator

Version 1.7.0 introduced the 3D Null Generator, expanding the ways Gaussian Splatting scenes can interact with After Effects workflows. The feature was added in April 2026 and remains part of the current product feature set.

The requested v1.7.1 release followed on August 31, 2026. This update fixes a crash that could occur when importing a broken .ply file and corrects an incorrect colour-clamping issue affecting some black splats.

GPU-Accelerated Workflow

A major part of the plugin’s appeal is its real-time GPU rendering. Gaussian Splatting can involve very large numbers of individual splats, so GPU acceleration is important for maintaining an interactive workflow.

Previous releases have also improved loading of large models and rendering of massive numbers of splats, while support for HDR rendering and .ply sequences has expanded the plugin’s capabilities over time.

Compatibility

AEScripts currently lists Gaussian Splatting for After Effects 2022, 2023, 2024, 2025, and 2026. The product is currently priced at $49 and offers a free trial.

Who Should Use Gaussian Splatting?

The plugin is well suited to motion designers, VFX artists, compositors, 3D artists, and creators experimenting with AI-assisted or photographic 3D capture. It is particularly interesting for projects involving scanned environments, virtual spaces, abstract 3D transitions, architectural visualization, and experimental motion graphics.

Final Thoughts

AEScripts Gaussian Splatting v1.7.1 brings a specialised 3D Gaussian Splat workflow directly into After Effects. Its ability to import .ply scans, combine multiple models, crop scenes, animate splat scale and opacity, apply noise, generate depth passes, and control colour makes it considerably more flexible than simply displaying a captured scan.

The addition of the 3D Null Generator in v1.7.0 followed by the stability and colour fixes in v1.7.1 makes the current release a capable option for artists exploring Gaussian Splatting inside a compositing environment. For creators interested in combining real-world 3D captures with After Effects animation and visual effects, it provides a practical bridge between emerging 3D capture techniques and traditional motion-graphics workflows.

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