AEScripts Color Llama v1.1.1 Free Download

Color Llama

AEScripts Color Llama v1.1.1 Plugin for After Effects Full Version Free Download

Colour matching and colour replacement can become surprisingly tedious in Adobe After Effects, particularly when footage comes from different cameras or when a project needs to follow strict brand colours. AEScripts Color Llama v1.1.1 provides a more direct way to remap colours by letting artists pair source colours with target colours and control how those transformations affect the image.

Developed by Vranos, Color Llama is a colour-correction and grading plugin designed for After Effects and Premiere Pro. It can be used for conventional colour matching, stylised colour treatments, green-screen workflows, animated graphics, and creating reusable LUTs.

What Is Color Llama?

Color Llama is a colour transformation tool that allows users to create pairs of colours, defining which source colour should become which target colour. Instead of adjusting an entire image with broad global controls, artists can establish specific colour relationships and build a more targeted transformation.

The plugin provides two main styles. Change Color shifts similar colours toward the selected target while retaining some of their original characteristics, whereas Replace Color pushes matching colours directly toward the target value.

This makes Color Llama useful when a particular object, fabric, graphic element, or environmental colour needs to be changed while maintaining the rest of the image.

Smooth, Sharp and Posterized Blending

Color Llama includes three colour-blend modes that determine how transitions happen between source and target colours.

Smooth creates a gradual falloff, making it useful for conventional colour grading and natural-looking adjustments. Sharp produces a more direct transition with less colour bleed, which can be particularly useful for green-screen and blue-screen keying. Posterized creates an abrupt transition, making it suitable for stylised graphics and deliberately simplified colour treatments.

This gives the same colour-pair workflow considerably different visual results depending on the project.

Match Brand Colours

One practical application is brand-colour matching. A source image may contain a colour that is close to the required branding but not quite accurate. Instead of broadly changing the entire image, Color Llama can target the relevant colour and map it to the desired brand value.

This can be useful for advertising, product videos, corporate content, interface animation, and promotional graphics where colours need to remain consistent across different shots or assets.

Because the transformation can be based on multiple source-target pairs, complex colour relationships can also be built within the same effect.

Match Footage from Different Cameras

Footage recorded with different cameras can have noticeable differences in colour response even when the lighting conditions are similar. Color Llama provides a way to match selected colours between those sources by identifying corresponding colours and transforming them toward common targets.

This can provide a more targeted approach than making broad global corrections, especially when only certain colours are noticeably inconsistent.

For the complete feature set, control reference, compatibility details, and latest release information, visit the official AEScripts Color Llama page.

Colour Stylisation

Color Llama is also designed for more creative applications. By establishing deliberate source-to-target relationships, artists can create stylised Colorama-like treatments without manually constructing complex colour maps.

Multiple target colours can be combined to create unusual palettes, while the Posterized mode can simplify the image into stronger blocks of colour. This makes the plugin useful for music videos, experimental motion graphics, title sequences, and illustrative video treatments.

The effect can therefore operate as both a practical correction tool and a creative colour-design system.

Green-Screen Keying

The Sharp colour-blend mode can be useful for green-screen and blue-screen workflows because it reduces the amount of colour bleeding between the source and target values.

Color Llama is not presented as a complete replacement for a dedicated keyer, but its colour-remapping system can be incorporated into keying workflows where selected colours need to be pushed or transformed with tighter transitions.

This gives the same plugin an additional compositing application beyond conventional grading.

Remap Colours in 2D Animation

Color Llama can also be used with 2D animation, where artwork may need to be recoloured without changing every individual element manually.

Source colours can be mapped to new target colours, allowing an existing animation to be adapted to a different palette. This can be useful for alternate character colourways, branded versions, seasonal graphics, or experimental visual treatments.

The workflow is especially helpful when several related colours need to be changed consistently.

Keyframe Colour Transformations

The target colour and alpha values of swatches can be keyframed, allowing colour transformations to evolve over time.

This opens up motion-design possibilities such as gradually shifting an object’s palette, animating a brand colour transition, or changing the appearance of footage throughout a sequence.

Because the colour relationships themselves can be animated, the effect can become part of the visual storytelling rather than remaining a static correction.

LUT Export

One of Color Llama’s practical features is LUT export. The colour transformations created inside the plugin can be exported as a 65×65×65 Cube LUT, allowing the same colour treatment to be reused in other applications that support Cube LUT files.

This makes Color Llama useful not only for creating a particular result in After Effects or Premiere Pro but also for developing a reusable colour transformation for a wider post-production pipeline.

Cube LUTs cannot contain alpha information or animate over time, so those limitations remain when exporting the colour transformation.

HDR and Expanded Colour Control

Version 1.1 introduced HDR colour support along with expanded brightness ranges. This allows Color Llama to work with higher-dynamic-range material while providing more flexibility when adjusting target colours.

The release also added an option to clamp negative colour values to zero when exporting LUTs and introduced a shortcut for quickly setting target colours from the interface.

Color Llama v1.1.1

Color Llama v1.1.1, released on September 21, 2026, is a maintenance update focused on Premiere Pro 26.5 compatibility.

The previous v1.1 release added HDR colour support, expanded brightness controls, improved colour sampling for noisy footage, LUT value clamping, and additional target-colour controls. Version 1.1.1 keeps those capabilities while addressing compatibility with the newer Premiere Pro release.

Compatibility

Color Llama currently supports After Effects 2024, 2025, and 2026, along with Premiere Pro 2024, 2025, and 2026. The plugin is available for Windows and macOS.

The current AEScripts listing shows a price of $49.99. Color Llama is also available for free non-commercial use throughout 2026, according to the product page.

Who Should Use Color Llama?

Color Llama is suited to motion designers, compositors, editors, colourists, graphic designers, and artists who need targeted colour transformations.

It is particularly useful for brand-colour matching, camera matching, stylised grading, green-screen support, 2D animation recolouring, and developing reusable LUTs.

Final Thoughts

AEScripts Color Llama v1.1.1 provides a targeted approach to colour transformation by allowing artists to define relationships between specific source and target colours. Its Change and Replace modes, multiple blending styles, keyframeable colour pairs, HDR support, and LUT export make it useful for both practical post-production and creative experimentation.

The ability to match brand colours and footage from different cameras gives the plugin a clear production role, while its stylised and posterized workflows open the door to more experimental applications. With v1.1.1 adding compatibility for Premiere Pro 26.5, the latest release continues to refine a colour workflow built around precise source-to-target control.

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